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Last night I finally got the guts to go to Mommy and Uncle's Temple. It had taken me a solid three months of driving there, wandering around the parameters, putting my hands on the entrance doors' handles, taking them off, looking at the doorbell, peering in the windows and having the alter's multiple statues of the Siddharta staring back out at me with complacent smiles and sleepy eyes. And by multiple I mean hundreds. There were hundreds of buddhist statues, big small, jade, wood, gold, fake gold, they ran the whole gammit, the smallest being no taller than my index finger, the largest being as tall as me (if it were to stand). It probably weighed more too.
Anyway, after debating with Mommy how I should go in (many a time), and after Mommy telling me to just go in (many a time), I decided the best option, like most decided options in my life, was to, instead of meeting someone face to face first, or by phone, was to e-mail them, and let them know that I was coming. So, about three days later, after many e-mails returned around 12 a.m., and many emails typed in broken English, I finally legitimized any reasons for going, which were to either meditate, pray, or burn whatever incense the place had inside.
So, around 5 o'clock in the evening, arriving later than I said I would, feeling like the most ungrateful falang frequenting Kitchener's only Laos temple alone, I arrived, hesitant and feeling that I had no right, whatsoever, to enter those doors. I don't know what's been wrong with me lately, I may have been reading too much Jamaica Kinkaid, but I felt as if that space was no place for a man like me. I wasn't, after all, Laos in the least, or Thai for that matter. This was a place for religious recluse; refuge from the world (of the white man) quite frankly, and as much as I felt I needed it, or as much as I felt I needed to entertain my own exotic curiosities, I had no right in the least to be there. I didn't even know what to do. Sure, I knew how to pray, and I know all the prayers supplanted in my mind that still enable me to have incovenient Christian underpinnings, but what would I do when I got in? I'd passed this dilemma onto the opinion of a friend who assured me that I was being an idiot - that any culture which comes to a multi-cultural place wouldn't box themselves up from the world, but instead welcome anyone, or not come at all. But let's be reasonable, why set a temple up then, if not to feel safe and connected to something you may have left behind or defines your perception of the world? But I digress, this isn't a disertation, or an argument on the politics on religion and space (though that'd be a pretty interesting read). So I entered.
Through the doors, and kicking myself for having not brought slippers, I stood in the dark entrance until I heard a "hello" from the silouette of someone who looked like they were melting (monks and robes). The place bore a welcomed odour for a cook's nose, but may have been something smelt as strange and unappealing to someone who was otherwise ("otherwise," being not a cook in an Asian restaurant, not a monk in the temple, and not a person who frequented it). I was curious where it came from, but was shaken out of it when the monk approached, after having turned all the lights on. I told him who I was, and he said I had probably spoke to someone else who wasn't there at the moment, but that I was expected. He turned to leave into another room while I was still asking some questions, so I cut myself off and just stared, politely, going through what I could possibly ask in my mind.
I shouted back if I could go up to the alter. The monk, who's name I didn't even ask, and whom I didn't even bother to tell my name to, didn't object. So I went, and I sat, and I thought: man, I wish I had my camera.
Sitting and having a long staring contest with the biggest Buddha in the room, I was forced to throw the fight when I heard the quiet russles of the same monk in his robes behind me, coming up, and sitting next to me. A younger monk followed behind him, getting some water and setting it down beside me. I thought briefly that the younger monk must have been who the older monk went to the other room for, just in case this crazy falang had an itch to steal whatever fake gold that may have ordained the place. It was expected; shit, I've never even gone into an Asian grocery store without getting the stink eye at least once; at least until they realized I'm a regular, but even that takes time. I'm sure the monks were nothing like that, but if worse came to worse, maybe they would bust out huge scabberds and crunchy kung fu moves. If only.
Our consciousness' must have been attuned when I asked the next question:
Monk: you know meditatAaation? Me: How do you meditate?
a beat.
I had a pretty good idea, but thought it was necessary to fill up all the awkward whiteness in the room.
The monk spoke strangely similar to Uncle in his explanation of things: same attitude, same mindfulness, same cheery "huuuuuus" in his voice and laughs. He was pushing hard against whatever abstractions prevented him from thinking in Laos to speaking in English. It was broken, but understood - by me, anyway.
Monk: When wuee meditate, wuuee burreeed in fo times. In anda out. You tink. You tink of bureeding. So you reelacs bawdee.
Me: Do I have to sit any particular way? (why I used "particular"?)
Monk: You sit enywuAY comfertable. You put ahms in furont like dhis. Bureed in, bureed out. Foget all. Den, aftah fo time to reelacs, wuee bureed in and say, Buuuuuuuuuuuuuuuuuuuuuuuu long and suLOWly; aftah bureed out, go Doooooooooooooooooooooooooooooooooohhhhhh.
Me: hmm. That's sounds tough.
Monk: You try. You try!
Me: Okay, I'm gonna try. Okay, here I go.
It was nice to legitimately not have to think about the things I have to think about. Usually people say they can't meditate because then they think of all the things they have to do. Personally, I think they haven't thought long enough otherwise. Only then can you find a kind of ease in being able to just forget about burdens. Because man can they be a bother. Believe you me, it's nice, especially when you think as long, and obsessivly about things as I do. So long in fact that you're constantly irritated, tired, anxious, or whatever. Maybe you understand, maybe you don't. Maybe it doesn't matter. But I did it. I tried to "did" it.
It was hard the whole way through and I knew it would be. I was constantly distracted by my own physical pains of sitting, the chimes of electronic Christmas music heard from the outdoor pagoda the monks had strung lights around, and my own sufficating, uncontrolled breathing. I needed to practise more kung fu. I tried and I tried and I tried and I tried, and I wondered if the monk was watching me, or meditating himself. I opened my left eye, forgetting the monk was sitting on my right, and wandered onto the Buddha, onto the burnt incense, onto a dish full of steamed food - that's where the smell came from. I wondered if it was Mommy's.
Monk: Heeheehee; how you do? Good?
Me: It's hard.
Monk: when you meditate, you try tink of aeah (air) going in nose, to STOmack, and you bureed out, and tink of aeah come out. Dat waaiee, you foget.
Me: what do you say again? Budoh?
Monk: Budoh. You bureed in, Buuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu, and out dddoooooooooooooohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh.
I tried breathing in while saying Bu, sounding obviously squeaky and obnoxiously loud; the monk on the other hand, held perfect pitch, and his voice wasn't at all high and whispey like mine. It was incredible. That that kind of range existed at all.
Monk: if too haahd, you bureed in and tink - tink of Buuuuuuuuuuuuuu. Bureed out, say, ddddddoooooooooooooooooooohhhhhhhhh. you do.
Me: *Buuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu* Doooooooooooooooooooooooooooooooohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh.
Time passed.
Monk: Okay?
Me: I have to stretch, I'm so stiff. My legs hurt!
I thought I was good at kung fu, AND flexible, but apparently I needed work sitting still and eating more bitter.
Monk: eets hahd! When you meditate and you tink, when you feel, you focas on place. So you tink of nose, den you feel pain on leg, you tink tink tink about leg. Tink tink tink. pain GONE! Take long tiiiimmmee. but you do! Some time, bug walk on you - deedeedeedee - you feel on ahm, o face. you want to take off. No, you let go. Go away, some time you open eye to see if bug dare, but it gone! Still feel it! Turick! Just focas, til it go way! That meditation! First you do ten minutes, and den fifteen! Den HOUR! If you do hour! You gurate! Take puractise!
I imagined all the fat heads who might have tried meditation before me because their book club, or first wives club or whatever said the View said it was awesome and great. I also wondered how long they lasted. Why all this xenocentrism? I'll never know.
Monk: Buddha say, have turee baskets, one basket fo bawdee. Need to understand dhis first. Buddha say know bawdee to know self, to understand awders. When we know how bawdee works, what painful, we understand awders. Have compassion fo awders. We know Bawdee, we know self. understand self befo awders. Know pain, know pain awders have. Be mind full.
Me: Can I come back?
Monk: YAH!
From there I left for work, making it just under the wire. Kids were crowding the hall, shouting, "WEEZEE!!! You're late! We were waiting for you!!" That was that. I went to work, inconvieneced some Mandarin speakers by eating at their restaurant too late, went to a staff party, was threatened by some black guy for hitting on his girlfriend, and drove some people home. Budoh.
Mommy is very involved in her husband's Buddhist community, though she isn't Buddhist herself. I remember the odd nights in the summer when monks would come into the kitchen to say hello, and me always wishing they'd give me a bracelet they strung together themselves. I still wish for one. I think, as much as she can, Mommy goes to temple, or calls temple, or brings food to temple whenever she can, though she'd never admit it. I'm not fanatically religious myself, but there are times I find myself looking for some anthropomorphic god where I want one to be. It's good to feel connected. Always, and to something. Mommy once told me, that when it came to her and religion, or a way of life, or Buddhism, that sometimes it's good to have those things, even if they're not real. It's good to have someone to talk to, somewhere to think, somewhere to be. "I don't believe it," she would say, "But I believe it. Y'know, Skinny boi?"
Beer's the most androgynous thing I've ever seen in a chef's hat. Or, at least, that's what I thought when I first met her. But it's those peculiarities in life that make it so dazzling. That a young woman no older than me could have a face as round and as bright as the sun (and some newly ordained Bhikkhu, consequently) one minute, but become as strong, and defined with cheekbones reminiscent of some African Queen from the deep jungles of the Congo AND with hair as black as that queen's black skin that it's almost purple - just as soon as she takes off her chef hat - isn't really beyond me at this point. However, what is, is her warm heart and nurturing nature. Chalk it up to the Buddha, or gender roles in an Asian demographic that hasn't completely amalgamatted with the West, or some Asian girl's general disposition to love Caucasian males for whatever post-colonial reason (which I seem to be touching on quite a bit lately), or whatever you will, but one thing's for sure: Beer's the best thing to come out of Laos in a long time. It seems no one bad comes into that kitchen; and that all those women wear hats because their hair is so dark it would absorb all the light used to light the place if they ever took their hats, or hair nets, off for more than a minute. All the light, or the entire universe. Maybe that's it: some karmic Buddhist ability - hair so dark, it absorbs all negative energy, neutralized by their own positive dispositions. Okay, maybe that's not it, but I couldn't think of a more magical reason why Beer's so pleasant; I certainly could think of another reason however. Simply put, because she's a good person, with the heart of a Buddha, and the skill of some kind of cosmic cook who makes delicious coconut drinks for Weezee, knowing on some level of consciousness that they bring me from being just there, to actually BEING there.
Not too long ago Beer bought the kitchen some elbow length mucking gloves from the Korean store she, and I, conveniently, both frequent; gloves so long you either look like a married korean woman making huge tubs of kimchi with all the friends she plays two-suited mahjong with on Sundays, or a nuclear technician, attempting to open a jar of kimchi. Now, gloves may not sound like much, and no one but Beer and I may use them, but that she brought them in at all must be testament to her boundless generousity. But it doesn't stop there dear reader; in fact, it brings me to the point of this entry, and why I'm writing it: because Beer is good, and she makes me feel good. About work, about people, about decision, about life, about the cold weather that makes me want to quit my job and role under the covers and sleep until at least autumn. Sirrah.
That said, I came to work today in a funk. In a funk because I've been overwhelmed with decision, underwhelmed by direction, and overtly-whelmed by inadequacy. Grad school is rearing it's ugly head again. I feel terrible about having been in a less than stellar mood, and what's more was Beer's good intention to give me one of her generic smoothie drinks. I tried to decline, accepted, and then tried to pretend I forgot, but she forced it on me. I had no qualms about it being delicious, and touched by Beer's maternal instinct, but I just didn't have the guts to take it; why did a jerk like me deserve something like that from someone like her anyway. I felt unworthy, and without connection to these people I had genuinely come to care about.
Watching Uncle's metal steamer tonight, I came to a sad, if not dissapointing conundrum: that even though I was excited about what he was cooking, and that cooking and learning how to cook in a particularly Asian space gave me a sense of satisfaction and fulfillment, I could never fully connect to any of it, or the people there. I don't speak their language, I didn't grow up in their spaces - I'm trying desperately to learn languages, and now it seems I know why. To connect. Only connect. Because their lives are something I'd like to be a part of. Their's are spaces I think I'd like to exist in. E.M. Forster had the right idea. And I think the Buddha did too. Because when Uncle makes me food, or Beer brings me a drink, it's not because they have to, but because they want to. And when I accept those things from them, it not about the food, but about what it means.
There may be hope for this kuso cook yet.
Mommy: M-------, why you put your hair in your face like that, you look like little gerl. You afraid of showing forehead? You hiding something under there!
Me: I don't know why you just don't put your hair under your cap M--; no one cares how you look in the kitchen.
Mommy: Yeah, put it away, c'mon. You afraid of showing your forehead? Show me your forehead, Mommy will read it for you. I tell you who you are.
Me: Mommy! You read foreheads!
Mommy: yyyeEEAAHH!!
Me: Well, I have no hair Mommy -here, read mine.
Mommy: Okay, but don't be angry. Don't be mad at Mommy.
Me: Why would I be mad at my mom?
Mommy: No your mum, at mommy (placing hand on her chest).
Me: Mad at you? It's my forehead's fault, not yours. Go ahead.
Mommy: Okay...
You always worrying. Big worrier. Worry worry worry.
Me: Hit the nail on the head.
Mommy: You a little jealous of others too.
Me: Who is this woman?
Mommy: You have to do things your way. Always your way.
Me: I don't know if that's true Mommy.
Mommy: Yes. People tell you to do things there way and you do, but just to get them away. You do things others' way only to do your way.
Me:?
Mommy: And you don't like sharing your talents. You believe in yourself more than others, but don't like to show others. You need more confidence. Right now, you very unsure, like you on a fence going, "ohhOOhhOOhhh" (*pretending to balance*). But when you are decided, you will be better than the rest.
I have so many creases on my forehead you'd think it was a palimpsest, which would explain why Mommy could read me so well. Was she fishing? No way. Not. Ever!
"GoodLucky"
The Asian restaurant circuit is a funny thing. I'm all for celebrity product placement, and I know that Asia loves a good celebrity pasted on whatever box of crackers they can create, but when I came across the following little gem in the hands of my employer I couldn't help but laugh. Today Mommy was leafing through a yearly Chinese calender given by and advertising the only Thai/Viet grocery supplier in the region and which most likely supplies to every restaurant in the greater tri-city. Personally, it's one of my favourite places to shop: bright lights AND neon signs inside the store giving way to something almost existential, LCD TVs above the registers playing whatever is on Vietnam's favourite TV station; and of course, the loud, undulating, ear massaging sounds of some, probably gorgeous, Vietnamese singer. And don't forget the smell. And the sea cucumber. And the worker that accidentally drops a live fish and hits it with a paddle in order to pick it up again. I'm in love.
And what better way to advertise awesome location than with some totally unrelated Mainland Chinese actress posted on to a huge poster-like calender? If you can think of one, I'd like to hear it.
Mommy had been turning each of its pages reading the names of actresses in her best Chinese voice when she caught my attention. It was all uphill from there. As soon as I saw none other than Liu Yi Fei, I was hooked, I had to have it! Liu Yi Fei was the whole reason I started studying Chinese - at least, I think it was her. Either her or Jackie Chan -I know, I know, Jackie Chan's from Hong Kong. But he was speaking Mandarin in Forbidden Kingdom. Wait, I think the reason I started studying Chinese was because I had the awesome idea of learning Mandarin, travelling to China and eking out old Kung Fu masters just like my teacher did before me; this, a result of being dazzled by Jackie Chan and Jet Li's epic fighting sequences. Now that I think of it, I didn't like Liu Yi Fei in the movie at all, her character being a constant distraction to the story's hero, of whom had to learn kung fu in order to return the staff to the Monkey King. Oh yeah, it's epic. I mean, as much as I like the white man's post-colonial take on whiteness in the kung fu genre, and the ridiculous notion of projecting every none Asian male onto an otherwise Caucasian protagonist, humouring any kind of Asian female fantasy he may have, engaging his love-sick psyche and making him believe once again that anything exotic is his and has always belonged to him even before he knew about its existence so he shouldn't feel wrong, or guilty for just taking it. Well, I just had to object. If it's not kung fu, and it's not cooking, no thank you.
So, I asked Mommy if I could have the poster, and she said yes, exclaiming that she doesn't keep calenders in the house, especially Chinese calenders. We argued about each page's actress (being a stickler for Chinese popular culture), where they were from: Hong Kong or China, how Thai they looked, and if they were even Chinese in the first place. From there, all other kinds of prejudices ensued, and let me tell you, there is nothing in this life like an old Thai woman scolding Chinese popular culture for whatever reason. To each her own. I still got my junkie Asian grocery
store poster. And that is some, as the mistranslated Engrish on my new poster says: "goodlucky."